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Curated by musicians and music lovers like Rock ‘n’ Roll Hall of Famer Matt Sorum, Experience Vinyl is the vinyl club without the commitment. Like other clubs, every month we offer a limited edition pressing. Like other clubs, each album is chosen by its impact on us and the music world.
Unlike other clubs, you have zero obligation to buy it. It’s your music, your money, your choice. Get limited-run, collector’s edition pressings of only what you love.
Even if you've never heard of Hugh Marsh you've almost certainly heard the sound of his violin. He's a featured player on soundtracks by Hans Zimmer and Harry Gregson-Williams, was nominated for a Juno award, recorded with Iggy Pop and The Stooges, and was in the backing band for Bauhaus' Peter Murphy, all a tiny fraction of his decades-long list of credits. The latest addition to that list is Marsh's own Violinvocations, an LP recorded while Marsh lived in L.A. with friend, mentor, and fellow soundbender Jon Hassell. Despite the album's title, one would be hard-pressed to say with certainty whether violin was even involved in this album without being told so ahead of time. In one moment a ghost is heard weeping into a dictaphone; a digitized anime character is nervously chattering in the next; and in still another, jagged sheets of distortion avalanche toward the listener beneath auroric swells of harmony. It's the kind of sound design that requires a dedicated attempt by any Oneohtrixian laptop composer, only it's all being generated by Marsh's violin and his curious cabinet of effects pedals often in just one take.
1.1 I Laid Down in the Snow 1.2 Miku Murmuration 1.3 Thirtysix Hundred Grandview 1.4 The Rain Gambler 1.5 Da Solo Non Solitaro 1.6 She Will