{"title":"Speaker Corner Records","description":"","products":[{"product_id":"baker-chet-chet-is-back-4260019712363","title":"BAKER,CHET - CHET IS BACK Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  \u003cmeta charset=\"utf-8\"\u003e\n  After a two year absence from the studio (most of that time spent in an Italian jail) Chet's return could not have\n  been more triumphant. He quiets all notions that he is a \"has been\" with his fiery delivery as he swings with a great\n  Italian band. His version of \"Rainbow\" is one of the prettiest things you'll ever hear. This is arguably his best\n  recording of the 1960's.\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  1. Well, You Needn’t\n  \u003cbr\u003e\n  2. These Foolish Things\n  \u003cbr\u003e\n  3. Barbados\n  \u003cbr\u003e\n  4. Star Eyes\n  \u003cbr\u003e\n  5. Over The Rainbow\n  \u003cbr\u003e\n  6. Pent Up House\n  \u003cbr\u003e\n  7. Ballata In Forma Di Blues\n  \u003cbr\u003e\n  8. Blues In The Closet\n\u003c\/p\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel:\u003c\/strong\u003e\n  Speakers Corner\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739143453,"sku":"SSCQ10307.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/image-url_thumbnail_4.webp?v=1783450754"},{"product_id":"smith-patti-horses-4260019712721","title":"SMITH,PATTI - HORSES Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  \u003cmeta charset=\"utf-8\"\u003e\n  \"It isn't hard to make the case for Patti Smith as a punk rock progenitor based on her debut album, which anticipated\n  the new wave by a year or so: the simple, crudely played rock \u0026amp; roll, featuring Lenny Kaye's rudimentary guitar\n  work, the anarchic spirit of Smith's vocals, and the emotional and imaginative nature of her lyrics - all prefigure\n  the coming movement as it evolved on both sides of the Atlantic.\n  \u003cbr\u003e\n  \u003cbr\u003e\n  \"From its first defiant line, \"Jesus died for somebody's sins, but not mine,\" the opening shot in a bold reinvention\n  of Van Morrison's garage-rock classic \"Gloria,\" Smith's debut album was a declaration of committed mutiny, a statement\n  of faith in the transfigurative powers of rock \u0026amp; roll. Horses made her the queen of punk.\" -\n  www.rollingstone.com\n  \u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  \u003cmeta charset=\"utf-8\"\u003e\n  1. Gloria\n  \u003cbr\u003e\n  2. Redondo Beach\n  \u003cbr\u003e\n  3. Birdland\n  \u003cbr\u003e\n  4. Free Money\n  \u003cbr\u003e\n  5. Kimberly\n  \u003cbr\u003e\n  6. Break it Up\n  \u003cbr\u003e\n  7. Land\n  \u003cbr\u003e\n  8. Elegie\n  \u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel:\u003c\/strong\u003e\n  Speakers Corner\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739208989,"sku":"SSCQ4066.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/21euros4066__08303.jpg?v=1783450276"},{"product_id":"jackson-milt-ballads-blues-4260019715777","title":"JACKSON,MILT - BALLADS \u0026 BLUES Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  Whenever Milt Jackson could free himself from the 'bondage' of the Modern Jazz Quartet and its assertive leader John\n  Lewis, he dedicated himself to his two great passions: ballads and the blues. That was precisely the case when he\n  entered the famous Rudy van Gelder Studio in Hackensack, New Jersey, USA in 1956. He was free to choose his sidemen,\n  and money was no object, which is why various formations gathered in the studio for the three recording sessions. With\n  Lucky Thompson on the tenor sax (unfortunately for only three numbers), Barry Galbraith, Barney Kessel or Skeeter Best\n  on the guitar, Oscar Pettiford or Percy Heath on the bass, together with Kenny Clarke or Lawrence Marable on the\n  drums, he set off on a journey through the history of jazz. John Lewis stayed unobtrusively in the background and\n  offered 'Bags' (as Milt was known) plenty of opportunities to glory in soloistic freedom.\n  \u003cbr\u003e\n  \u003cbr\u003e\n  The themes were soon found: the musical composers Cole Porter, Irving Berlin and Jerome Kern, as well as a work from\n  The Duke Ellington Songbook, formed a basis upon which all the musicians could perform with confidence. Three\n  compositions by Milt Jackson himself proved that he too was full of imagination.\n  \u003cbr\u003e\n  \u003cbr\u003e\n  If you don’t possess this LP – or maybe none by Milt Jackson – here is an opportunity to remedy this shortcoming.\n  \u003cbr\u003e\n  \u003cbr\u003e\n  This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the\n  cutting head.\n  \u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  \u003cstrong\u003eSide One:\u003c\/strong\u003e\n  \u003cbr\u003e\n  1. So In Love\n  \u003cbr\u003e\n  2. These Foolish Things\n  \u003cbr\u003e\n  3. Solitude\n  \u003cbr\u003e\n  4. The Song Is Ended\n  \u003cbr\u003e\n  5. They Didn't Believe Me\n  \u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n  \u003cstrong\u003eSide Two:\u003c\/strong\u003e\n  \u003cbr\u003e\n  1. How High The Moon\n  \u003cbr\u003e\n  2. Gerry Blues\n  \u003cbr\u003e\n  3. Hello\n  \u003cbr\u003e\n  4. Bright Blues\n\u003c\/p\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel:\u003c\/strong\u003e\n  Speakers Corner\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739274525,"sku":"SSCQ1242.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/ballads.webp?v=1783449990"},{"product_id":"alan-parsons-project-turn-of-a-friendly-card-4260019712356","title":"ALAN PARSONS PROJECT - TURN OF A FRIENDLY CARD Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  \u003cmeta charset=\"utf-8\"\u003e\n  Although numerous doubts abounded that concept albums with thematic focus were not what people wanted to hear, Alan\n  Parsons’ somewhat egomaniacal projects always found a broad public. Of course one can listen to the perfectly styled\n  sound of the music which this man created at the mixing console and concentrate on its programmatic contents or wallow\n  in its esoteric tonal depths. But you don’t have to, for Parsons’ velvety mixture of ballads and rock numbers will get\n  your ears’ nerve endings tingling without lyrics and themes. The album The Turn Of A Friendly Card includes two of\n  Parsons’ very best songs: \"Time,\" with its beautiful harmonies, and the gently swinging \"Games People Play\" which opens\n  with Empire fanfares. That the instrumental tracks are find favor with almost all rock fans is hardly surprising\n  because the music more often than not emulates the driving sound of Brit Rock rather than bombastic \"sonic souffles\"\n  (Rolling Stone). But be that as it may, the title certainly holds its promise. The sales figures for this album\n  clearly show that this \"friendly card\" has definitely turned up trumps for Alan Parsons.\n  \u003cbr\u003e\n  \u003cbr\u003e\n  \"Alan Parsons’ attention to engineering detail and multi-level instrumentals is captured by the audiophile virgin\n  vinyl. The luxurious tones of the synthesizers are contrasted with the jagged electric guitars. The mix levels are\n  balanced delicately. Whether it’s the power of the string sections or delicacy of the lithe vocalists, the quality is\n  superior. The Turn Of A Friendly Card is a discerning combination of intriguing pop music and eminent studio\n  technology.\" - Audiophile Audition, audaud.com, September 2011\n  \u003cbr\u003e\n  \u003cbr\u003e\n  \u003cb\u003eTracks:\u003c\/b\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n  1. May Be a Price to Pay\n  \u003cbr\u003e\n  2. Games People Play\n  \u003cbr\u003e\n  3. Time\n  \u003cbr\u003e\n  4. I Don't Wanna Go Home\n  \u003cbr\u003e\n  5. The Gold Bug\n  \u003cbr\u003e\n  6. The Turn of a Friendly Card\n  \u003cbr\u003e\n      I. The Turn of a Friendly Card (part one)\n  \u003cbr\u003e\n      II. Snake Eyes\n  \u003cbr\u003e\n      III. The Ace of Swords\n  \u003cbr\u003e\n      IV. Nothing Left to Lose\n  \u003cbr\u003e\n      V. The Turn of a Friendly Card (part two)\n\u003c\/p\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel:\u003c\/strong\u003e\n  Speakers Corner\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739241757,"sku":"SSCQ9518.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/image-url_thumbnail_2.webp?v=1783449479"},{"product_id":"modern-jazz-quartet-fontessa-4260019715456","title":"MODERN JAZZ QUARTET - FONTESSA Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  \u003cmeta charset=\"utf-8\"\u003e\n  The famous critic and jazz expert Ralph J. Gleason quite rightly mentioned two highly distinctive men in his liner\n  notes – John Donne and Pablo Picasso. Almost four hundred years and a great deal of seawater separate the two\n  exceptional artists from England and Spain. Nevertheless the four black US-Americans who make up the Modern Jazz\n  Quartet bridge the gap between time and continents effortlessly.\n  \u003cbr\u003e\n  \u003cbr\u003e\n  And what’s more, blues is also to be heard – and bebop! And evergreens from the Broadway shows of the Thirties too!\n  \u003cbr\u003e\n  \u003cbr\u003e\n  In contrast to some of the other rather more dawdling and laid-back MJQ LPs, \"Fontessa\" offers diversified and intense\n  music. Nothing is routine, perhaps because the drummer Connie Kay had replaced Kenny Clark just one year previously.\n  But maybe too because Milt Jackson’s blues influence inspired John Lewis perceptibly to forget all about discipline.\n  All seven numbers are true gems. But if you want a special hint, just listen to \"Bluesology\". Well, perhaps the\n  present author is too much of a Milt Jackson fan. Be that as it may, the music magazine \"Rolling Stone\" gave this LP a\n  five-star rating!\n  \u003cbr\u003e\n  \u003cbr\u003e\n  This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the\n  cutting head.\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  \u003cmeta charset=\"utf-8\"\u003e\n  \u003cb\u003eSide One:\u003c\/b\u003e\n  \u003cbr\u003e\n  1. Versailles (Porte de Versailles)\n  \u003cbr\u003e\n  2. Angel Eyes\n  \u003cbr\u003e\n  3. Fontessa\n  \u003cbr\u003e\n  \u003cb\u003e\u003c\/b\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n  \u003cb\u003eSide Two:\u003c\/b\u003e\n  \u003cbr\u003e\n  1. Over The Rainbow\n  \u003cbr\u003e\n  2. Bluesology\n  \u003cbr\u003e\n  3. Willow Weep For Me\n  \u003cbr\u003e\n  4. Woodyn You\n  \u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel:\u003c\/strong\u003e\n  Speakers Corner\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739307293,"sku":"SSCQ1231.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/modern.webp?v=1783448996"},{"product_id":"peterson-oscar-exclusively-for-my-friends-the-lost-tapes-4260019710642","title":"PETERSON,OSCAR - EXCLUSIVELY FOR MY FRIENDS - THE LOST TAPES Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  Tears of sorrow mingled with tears of joy as Oscar Peterson fans realized that the keyboard genius, who had just\n  recovered his health, was still capable of amazing them all, although he had obivously forfited some of his past\n  vitality. This may well have introduced MPS--the label with whom Oscar Peterson himself clamimed to have made his best\n  recordings--to search their archives for lost tapes from Peterson's heydey.\n\u003c\/p\u003e\n\u003cp\u003e\n  A number of previously unreleased recordings were discovered, which had been taped \"exclusively for my friends\" in the\n  private studio in Villngen, 1965-1968. The electric atmosphere of these live sessions before a mere handful of\n  listeners proves once again just how at home the musicians felt in the Black Forest villa--as is borne out by the fact\n  that Peterson's usual trio formation alternated with his stand-in musicians of Sam Jones on the bass and Bobby Durham\n  on the drums.\n  \u003cstrong\u003e\n    \u003cbr\u003e\n    \u003cbr\u003e\n    \u003cb\u003eTracks:\u003c\/b\u003e\n    \u003cbr\u003e\n  \u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n  1. Gravy Waltz\n  \u003cbr\u003e\n  2. Squeaky's Blues\n  \u003cbr\u003e\n  3. Let's Fall In Love\n  \u003cbr\u003e\n  4. Stella By Starlight\n  \u003cbr\u003e\n  5. Moanin'\n  \u003cbr\u003e\n  6. Put On A Happy Face\n  \u003cbr\u003e\n  7. I Will Wait For You\n  \u003cbr\u003e\n  8. Never Say Yes\n  \u003cbr\u003e\n  9. L'Impossible\n  \u003cbr\u003e\n  10. My Romance\n\u003c\/p\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel:\u003c\/strong\u003e\n  Speakers Corner\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739372829,"sku":"SSCQ5290961.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/oscar.webp?v=1783448304"},{"product_id":"mingus-charlie-pithecanthropus-erectus-4260019715517","title":"MINGUS,CHARLIE - PITHECANTHROPUS ERECTUS Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIt was a fairly ordinary quintet that entered the Audio-Video Studios in New York City on January 30, 1956: one tenor saxophone, one alto saxophone, a pianist, a drummer and ... you guessed: an extraordinary man on the double bass! Not just an instrumentalist, but also an imaginative composer, wayfarer between all kinds of jazz, arranger and enfant terrible.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Suite \"Pithecanthropus Erectus\" is – among other things – programme music. Having learned to walk upright, having achieved alleged superiority over animals, and having caused devastation, the destruction of mankind’s natural resources follows. The composer Mingus gives his fellow mankind\/musicians the widest possible freedom, which all exploit to the full both in interplay and in the solos. Bedded down in noise and sound collages, the piece is the result of an experimental workshop. The Gershwin classic \"A Foggy Day\" takes on the role of intermediary between the jazz styles of the 1930s and free jazz. And in \"Profile Of Jackie\" and \"Love Chant\" the arranger calls for his soloists to go to the very limits of their artistic improvisation.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCharles Mingus was certainly not an easy person to deal with for his family, friends and fellow musicians. But that fades into the background when it comes to such outstanding music. Luckily, we outsiders can once again enjoy the music of this genius 60 years after the studio recording, in its original format.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cb\u003eSide One:\u003c\/b\u003e\u003cbr\u003e1. Pithecanthropus Erectus\u003cbr\u003e2. A Foggy Day\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cb\u003eSide Two:\u003c\/b\u003e\u003cbr\u003e1. Profile Of Jackie\u003cbr\u003e2. Love Chant\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel: \u003c\/strong\u003eSpeakers Corner\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739438365,"sku":"SSCQ1237.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/22euros1237-large__74368.jpg?v=1783448048"},{"product_id":"monk-thelonious-it-s-monk-s-time-4260019714152","title":"MONK,THELONIOUS - IT'S MONK'S TIME Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWith its three compositions by Thelonious Monk, one might call this LP from 1964 “3 Standards and 3 Monks”. The 'High Priest' of bebop had reached a further pinnacle in his career and performed with his fantastic, skillful and well-rehearsed quartet at numerous festivals and concerts. As if in a dream, the musicians penetrate the apparently simple yet rhythmically complicated themes, interrupted again and again by Monk’s solo escapades on the piano. On the stage, Monk often stood up and jigged around the piano like a lumbering dancing bear, with one of his distinctive hats on his head; he plonks down on the piano stool after the Charlie Rouse solo; his enormous feet tap back and forth to the beat; he constantly fiddles with the ring on his finger; and he creates the most wonderful improvisations ever heard with his 'false' fingering.\u003cbr\u003e\u003cbr\u003eCalling all jazz fans: Listen to Thelonious Monk, and you will have a ball – most especially if you put this super disc with the promising title \"It’s Monks Time\" on your turntable!\u003cbr\u003e\u003cbr\u003e\"Although often unrightfully maligned by self-proclaimed \"purists,\" Thelonious Monk did some brilliant work during his early- to mid-'60s stint for Columbia Records. It's Monk's Time (1964) contains some of the best -- if not arguably the best -- studio sides that the pianist cut during his final years as a recording musician. The album's title turned out to be somewhat prophetic, as Time magazine featured Monk as the cover subject for its February 28, 1964, edition...From four sessions in early 1964, It's Monk's Time gathers four quartet and two solo sides, presenting the pinnacle of what these musicians offered stylistically as well as from the standpoint of presentation.\u003c\/p\u003e\n\u003cp\u003eThere is sense of mischievous playfulness in Monk's nimble keyboard work, especially notable on the beautifully off-kilter unaccompanied opening to \"Lulu's Back in Town,\" and the same practically impish quality also drives the solo performance on \"Nice Work if You Can Get It.\" Both pop standards are prime examples of the bop pioneer's inimitable approach to arranging, and also provide an uncanny insight to his influences. Immediately evident are the styles of stride legends from the well-known Willie \"The Lion\" Smith and James P. Johnson to the slightly more obscure and decidedly frenetic playing of Cliff Jackson, as well as the ragtime approach of Walter L. Rose. The results are bound together in Monk's arithmetically advanced delivery and harmonic composition. The combo -- especially Rouse -- effectively supports and punctuates the tricky timing of \"Stuffy Turkey\" and the more aggressive bop of \"Brake's Sake.\"\u003c\/p\u003e\n\u003cp\u003eThe latter title also unleashes some tasty interaction between Monk and Rouse, sonically exemplifying their practically single-minded synergy. The concluding cut, \"Shuffle Boil,\" is one of the lost gems of the artist's later work. It sports an effortless swing over a sophisticated and challenging melodic structure. Bassist Warren steps up to the plate, providing a supple and pulsating bed for both Monk and Rouse as they trade solos.\" - Lindsay Planer, allmusic.com\u003cbr\u003e\u003cbr\u003e\"This is as close as jazz comes to rock'n'roll in my opinion: it's muscular, straight to the point (within the bounds of Monk's rhythmic madness\/genius) and gets the toe tapping and the blood flowing. I don't think jazz offers more fun listening than Monk.\" - Michael Fremer\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eSide I:\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e1. Lulu's Back In Town\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Memories of You\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Stuffy Turkey\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSide II:\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e1. Brake's Sake\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Nice Work If You Can Get It\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Shuffle Boil\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel: \u003c\/strong\u003eSpeakers Corner\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739471133,"sku":"SSCQ8984.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/thelon.jpg?v=1783447151"},{"product_id":"simon-carly-no-secrets-4260019715968","title":"SIMON,CARLY - NO SECRETS Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  Carly Simon's unquestionably best album, \"No Secrets\", was also her commercial breakthrough. It topped the Billboard\n  charts for over five weeks, thus quickly gaining gold status, as did the single release of \"You're So Vain\". This song\n  determined the album's flippant tone, with its sexually unashamed autobiography (\"You had me several years ago\/When I\n  was still quite naïve\") and its observations on the lifestyle of the jet set. But Simon's sincerity also meant that\n  her lyricism was double-edged. Now that she thinks she has found true love, she expresses her joy over her\n  relationship to James Taylor with \"The Right Thing To Do\", another top ten hit.\n\u003c\/p\u003e\n\u003cp\u003e\n  On the other hand she was just as willing to recognize her own mistakes and regretted pointing her finger at other\n  people. It was not just Simon's frankness that made the album a success, but also Richard Perry's simple, elegant\n  pop-rock production, which lent Simon's music a vitality it never known before. Perry was mindful in particular of\n  Simon's vocals, making them more perceptive and stirring than in her other productions. And of course her fellow\n  musicians, such as Paul and Linda McCartney, Mick Jagger, Klaus Voormann, Lowell George, Bobby Keys, Jim Keltner as\n  well as her ex-husband James Taylor all contributed to the success of the album, which was awarded official platinum\n  status by the Recording Industry Association of America.\n\u003c\/p\u003e\n\u003cp\u003e\n  This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the\n  cutting head.\n\u003c\/p\u003e\n\n\u003cp\u003e\n  \u003cstrong\u003e\n    \u003cmeta charset=\"utf-8\"\u003e\n    Tracks: \n  \u003c\/strong\u003e\n\u003c\/p\u003e\n\u003ch4\u003eSide One:\u003c\/h4\u003e\n\u003col\u003e\n  \u003cli\u003eThe Right Thing To Do\u003c\/li\u003e\n  \u003cli\u003eThe Carter Family\u003c\/li\u003e\n  \u003cli\u003eYou're So Vain\u003c\/li\u003e\n  \u003cli\u003eHis Friends Are More Than Fond Of Robin\u003c\/li\u003e\n  \u003cli\u003eWe Have No Secrets\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eSide Two:\u003c\/h4\u003e\n\u003col\u003e\n  \u003cli\u003eEmbrace Me, You Child\u003c\/li\u003e\n  \u003cli\u003eWaited So Long\u003c\/li\u003e\n  \u003cli\u003eIt Was So Easy\u003c\/li\u003e\n  \u003cli\u003eNight Owl\u003c\/li\u003e\n  \u003cli\u003eWhen You Close Your Eyes\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel:\u003c\/strong\u003e\n  Speakers Corner\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739503901,"sku":"SSCQ75049.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/22euros75049__25245.jpg?v=1783446589"},{"product_id":"lloyd-charles-flowering-4260019715814","title":"LLOYD,CHARLES - FLOWERING Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt might be hard to believe but there was once a jazz musician who was well known and well loved even in the global flower-power pop scene - and not just in San Francisco's Haight Ashbury. The name was and is Charles Lloyd. He appeared in the great concert halls (e.g. Fillmore West) and skillful marketing launched his LPs into the hit parades in the Sixties. It was clear then that European festival organizers from Molde to Antibes, from San Sebastian to Warsaw battled for appearances by this legendary quartet.\u003c\/p\u003e\n\u003cp\u003eIn 1966 the original quartet was composed of Lloyd, Keith Jarrett, Cecil McBee and Jack DeJohnette who offered the public mixture of pop and jazz that was sometimes catchy, often ambitious and demanding, in some measure passionate, but always original. All this spiced up standard works and got the audience tapping their feet and snapping their fingers.\u003c\/p\u003e\n\u003cp\u003eThe present LP begins with one of these standard works, Kurt Weill's \"Speak Low\", and thus opens our ears for 43 minutes of relaxed listening. One notices that the control has not been handed over to free jazz players of the day. The impressionist sounds of the young Keith Jarrett fit in perfectly, and Jack DeJohnette had not yet moved into the realms of Miles Davis and his electric phase. A tip for great listening is Gabor Szabo's composition \"Gypsy 66\", which is reminiscent of their time together with the other top drummer of the day, Chico Hamilton.\u003c\/p\u003e\n\u003cp\u003eAll in all, this is a highly successful live production by Atlantic Records! (In their archives, by the way, are about a dozen unreleased Charles Lloyd recordings that are waiting to see the light of day.) In general, the present recording is rated higher than the LP \"In Europe\", because the compositions leave behind a stronger impression on the listener.\u003c\/p\u003e\n\u003cp\u003eThis Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\u003c\/p\u003e\n\u003cp\u003eRecording: July 1966 live at Aulaen Hall, Oslo (Norway)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003eSide One:\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003eSpeak Low\u003c\/li\u003e\n\u003cli\u003eLove-In \/ Island Blues\u003c\/li\u003e\n\u003cli\u003eWilpan's\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eSide Two:\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003eGypsy '66\u003c\/li\u003e\n\u003cli\u003eGoin' To Memphis \/ Island Blues\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eLabel: \u003c\/strong\u003eSpeakers Corner\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739536669,"sku":"SSCQ1586.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/image-url_thumbnail_1.webp?v=1783446060"},{"product_id":"hubbard-freddie-backlash-4260019715272","title":"HUBBARD,FREDDIE - BACKLASH Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  \u003cmeta charset=\"utf-8\"\u003e\n  After his great success as a new discovery through playing on tour and in the studio with Art Blakey’s creative and\n  inspirational group, the Jazz Messengers, Freddie Hubbard made a dozen LPs over 16 years for Blue Note and Impulse\n  under his own direction.\n  \u003cbr\u003e\n  \u003cbr\u003e\n  It was no wonder then that a big record company made him a lucrative offer in autumn of 1966. All in all, Atlantic\n  Records released six LPs and the very first, entitled \"Backlash\", is still the best of the bunch.\n  \u003cbr\u003e\n  \u003cbr\u003e\n  Three numbers by Freddie Hubbard, one by Bob Cunningham, and two by friends, provide the basis for a successful\n  transition between hard bop and soul beat. Hubbard made high demands on his fellow musicians James Spaulding, Albert\n  Dailey and especially the bass player Bob Cunningham and the drummer Ray Appleton because they had to cope with the\n  ever-changing beat. Right from the very first note, it is obvious that Freddie Hubbard had Fats Navarro and Clifford\n  Brown in his heart and fingers. All the titles are excellent.\n\u003c\/p\u003e\n\u003cp\u003e\n  Of special note, however, is \"Little Sunflower\". The sound coloring of the flute harmonizes particularly well with\n  Hubbard’s brass, and Ray Barretto’s contribution is more than mere decoration. You’re certainly on the right track with\n  this LP, no matter whether it’s the beginning of a Freddie Hubbard collection or a further contribution to a large jazz\n  collection.\n  \u003cbr\u003e\n  \u003cbr\u003e\n  This Speakers Corner production was manufactured 100% analogously, with the use of the analogue mastertape and\n  analogue mastering.\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  1. Backlash\n  \u003cbr\u003e\n  2. The Return Of The Prodigal Son\n  \u003cbr\u003e\n  3. Little Sunflower\n  \u003cbr\u003e\n  4. On The Que-Tee\n  \u003cbr\u003e\n  5. Up Jumped Spring\n  \u003cbr\u003e\n  6. Echoes Of Blue\n\u003c\/p\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel:\u003c\/strong\u003e\n  Speakers Corner\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739569437,"sku":"SSCQ1477.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/freddie.webp?v=1783445369"},{"product_id":"davis-miles-miles-in-berlin-4260019715418","title":"DAVIS,MILES - MILES IN BERLIN Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e It's 1964 and the first Berlin Jazz Festival is about to reach its absolute peak: the final concert on the night of Friday, September 25th by Miles Davis. And the European subsidiary of Columbia Records, CBS, couldn’t wait to release this legendary event on LP. \u003cbr\u003e\u003cbr\u003eThe new quintet, for the first time with Wayne Shorter on the tenor sax (and not yet as composer), thrilled and roused the audience in the Philharmonie from the first minute to the very end. The classics \"Miles(tones)\", \"So What\" and \"Walkin’\" were performed at an astonishingly fast pace, the ballads were tender and dreamy. Such a magical atmosphere was rarely evoked at later concerts, which was probably due to the excellent acoustics of the large concert hall.\u003c\/p\u003e\n\u003cp\u003eThe audience were also seated behind the stage, so Miles couldn't turn his back provokingly on people; sometimes he just squatted on the stage. However, this didn’t prevent him from performing his solos lyrically and tenderly, most of them finely nuanced, soft and gentle, yet audible right into the furthest corner. The rhythmic structure created by the young drummer Anthony Williams provided the necessary excitement. \u003cbr\u003e\u003cbr\u003eMiles at the top of his form, an enthusiastic audience, impressive acoustics and, to top it all, excellent recording technology and a fantastic pressing on virgin vinyl - what more does a jazz fan want? Worth every penny! \u003cbr\u003e\u003cbr\u003eThis Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003eSide 1:\u003c\/b\u003e \u003cbr\u003e1. Milestones \u003cbr\u003e2. Autumn Leaves \u003cbr\u003e\u003cb\u003eSide 2:\u003c\/b\u003e \u003cbr\u003e1. So What \u003cbr\u003e2. Walkin' \u003cbr\u003e3. Theme\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739700509,"sku":"SSCQ62976.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/miles.webp?v=1783444441"},{"product_id":"jobim-antonio-carlos-stone-flower-4260019714800","title":"JOBIM,ANTONIO CARLOS - STONE FLOWER Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAround the year 1970, almost everything appeared to have been said about the style of music over the past two decades, which was a mix of samba and cool jazz. Adventurous musicians such as Luis Bonfa, Baden Powell, Charly Byrd, João and Astrud Gilberto, and the saxophonis\u003cimg\u003et Stan Getz lent fire and sentiment to the “new trend.” First and foremost among them was Carlos Antonio Jobim, whose catchy tunes such as the ticking, shuffling song \"Desafinado\" and the genial \"One Note Samba\" were heard all over the globe.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThat the man from Ipanema still had a lot to say is proved by the present album, which presents Jobim’s creativity at the height of his maturity. Right from the very first number, where Urbie Green on the trombone 'sings' \"Tereza My Love\" so purely in the top register, it is clear that the late bossa with its typical rhythm is structurally far more refined than the early hot dance numbers. The melodies are woven through, as it were, with shining gold and silver threads of rhythm, and clusters of sound are light and airy. However, here and there, the musicians let their hair down, such as in the Latin classic \"Brazil.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith that magician of sound Deodato as arranger and conductor, and Rudy van Gelder as recording engineer, this LP is certainly a Bossa masterpiece. There’s no more to be said!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\"...Stone Flower is quite simply one of his most quietly stunning works...simply brilliant, a velvety, late-night snapshot of Jobim at his peak.\"\u003c\/b\u003e\u003cspan\u003e -Thom Jurek\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1. Brazil\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Stone Flower\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. God And The Devil In The Land Of The Sun\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Sabia\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Choro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Andorinha\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Amparo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e8. Children's Games\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e9. Tereza My Love\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003c\/span\u003e\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739733277,"sku":"SSCQ6002.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/antonio_ab2e15ed-24f8-43ee-bb9e-a1b0636ab630.jpg?v=1783444276"},{"product_id":"coleman-ornette-ornette-on-tenor-4260019716200","title":"COLEMAN,ORNETTE - ORNETTE ON TENOR Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  It would not be an exaggeration to claim that Ornette Coleman's collaboration with Atlantic Records changed the jazz\n  world forever. On \n  \u003cem\u003eOrnette on Tenor\u003c\/em\u003e\n  , his sixth LP for the label (not counting outtakes compilations), he switches to tenor saxophone, but the great\n  enrichment of this record is the participation of \n  \u003cstrong\u003eJimmy Garrison\u003c\/strong\u003e\n   on double bass. Compared to his previous recording, \n  \u003cem\u003eOrnette!\u003c\/em\u003e\n   (with Scott LaFaro on the bass), these recordings are earthier, darker.\n\u003c\/p\u003e\n\u003cp\u003e\n  Garrison integrates seamlessly into Coleman's sound world. And he accompanies Coleman's tenor saxophone to perfection.\n  He appears to have a lot of fun with his instrument, which he played previously in rhythm and blues combos. His\n  musical lines breathe precisely this atmosphere, and sometimes one might believe one is listening to a \"free\" Coleman\n  Hawkins.\n\u003c\/p\u003e\n\u003cp\u003e\n  Ever since his instrument was damaged in an assault, Coleman played relatively little on his tenor sax, but he never\n  lost his love for the lyrical, highly expressive and pleasing tone. This might indicate a musically accessible\n  session, but that is not the case. Rather more, it is adventurous, since there are no memorable themes to return to.\n  All four musicians are accompanists, all four are soloists, musical lines of various importance interact, overlap and\n  support one another continuously. It makes one think of a ample walk through an ever-changing (and yet consistent)\n  landscape. The revolution continues.\n\u003c\/p\u003e\n\u003cp\u003e\n  This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the\n  cutting head.\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks: \u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n  \u003cli\u003eCross Breeding\u003c\/li\u003e\n  \u003cli\u003eMapa\u003c\/li\u003e\n  \u003cli\u003eEnfant\u003c\/li\u003e\n  \u003cli\u003eEos\u003c\/li\u003e\n  \u003cli\u003eEcars\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel:\u003c\/strong\u003e\n  Speakers Corner\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739766045,"sku":"SSCQ1394.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/ornette2.webp?v=1783444043"},{"product_id":"zawinul-joe-zawinul-4260019716217","title":"ZAWINUL,JOE - ZAWINUL Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Conceptually, sonically, this is really the first Weather Report album in all but name, confirming that Joe Zawinul was the primary creative engine behind the group from the beginning. It is also the link between WR and Miles Davis' keyboard-laden experiments on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIn a Silent Way\u003c\/em\u003e; indeed, the tune 'In a Silent Way' is redone in the more complex form in which Zawinul envisioned it, and Miles even contributes a brief, generous tribute to Zawinul on the liner. Two keyboardists — Zawinul and the formidable Herbie Hancock — form the underpinning of this stately, probing album, garnishing their work with the galactic sound effects of the Echoplex and ring modulator.\u003c\/p\u003e\n\u003cp\u003eEarl Turbinton provides the Wayne Shorter-like beams of light on the soprano sax, spelled by Wayne himself on 'Double Image.' The third founder of WR, Miroslav Vitouš, checks in on bass, and hard-bopping trumpeter Woody Shaw proves to be perfectly adept at the jazz-rock game. Two short-lived standards of the jazz-rock era, the aforementioned 'Double Image' and 'Doctor Honoris Causa,' are introduced here, yet it is mood pieces like 'His Last Journey' and 'Arrival in New York' that with the help of tape-speed manipulation, establish the lasting, murky, reflective ambience of this [LP].\" - Richard S. Ginell, AllMusic\u003c\/p\u003e\n\u003cp\u003eThis Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003eSide One:\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003eDoctor Honoris Causa\u003c\/li\u003e\n\u003cli\u003eIn a Silent Way\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eSide Two:\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003eHis Last Journey\u003c\/li\u003e\n\u003cli\u003eDouble Image\u003c\/li\u003e\n\u003cli\u003eArrival in New York\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739864349,"sku":"SSCQ1579.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/jo3.jpg?v=1783443196"},{"product_id":"butterfield-blues-band-resurrection-of-pigboy-crabshaw-4260019716194","title":"BUTTERFIELD BLUES BAND - RESURRECTION OF PIGBOY CRABSHAW Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  Evil tongues predicted the end of the Paul Butterfield Blues Band when guitar virtuoso Mike Bloomfield left the group\n  to form Electric Flag. However, the ensemble actually expanded, now including a horn section which added a more jazzy\n  sound, while Chicago blues remained as a basis. Elvin Bishop took on the role of lead guitarist and his nickname was\n  adopted as the name of the album. Butterfield himself played the harmonica and sang, while his band grew together to\n  form one of the most cohesive formations of their time.\n\u003c\/p\u003e\n\u003cp\u003e\n  Butterfield's best-known song \"One More Heartache\" opens the album, which in the meantime has undoubtedly become a\n  blues-rock classic with superb harmonica and a catchy beat that is driven onwards by the top-notch horns. \"Driftin'\n  and Driftin'\" is a further well-known piece that carries on for over nine minutes; here the brass sob and sigh while\n  Dave Sanborn delivers a brilliant solo performance in the choruses. In addition to cover versions by B. T. Jones\n  (\"Born Under a Bad Sign\"), Otis Rush (\"Double Trouble\") and Roosevelt Sykes (\"Drivin' Wheel\"), two compositions by\n  Butterfield are included: \"Run Out of Time\" and the somewhat psychedelic \"Tollin' Bells\" where Bishop's guitar and\n  Mark Naftalin's floating keyboard conjure up a haunting feeling.\n\u003c\/p\u003e\n\u003cp\u003e\n  The stunning pastiche cover, a nod to the flower power era of those times, completes this release, which marks a new\n  phase in the career of the Paul Butterfield Blues Band that would endure for a long time.\n\u003c\/p\u003e\n\u003cp\u003e\n  This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the\n  cutting head.\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks: \u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003eSide One:\u003c\/h4\u003e\n\u003col\u003e\n  \u003cli\u003eOne More Heartache\u003c\/li\u003e\n  \u003cli\u003eDriftin' and Driftin'\u003c\/li\u003e\n  \u003cli\u003ePity the Fool\u003c\/li\u003e\n  \u003cli\u003eBorn Under a Bad Sign\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eSide Two:\u003c\/h4\u003e\n\u003col\u003e\n  \u003cli\u003eRun Out of TIme\u003c\/li\u003e\n  \u003cli\u003eDouble Trouble\u003c\/li\u003e\n  \u003cli\u003eDrivin' Wheel\u003c\/li\u003e\n  \u003cli\u003eDroppin' Out\u003c\/li\u003e\n  \u003cli\u003eTollin' Bells\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel:\u003c\/strong\u003e\n  Speakers Corner\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739831581,"sku":"SSCQ74015.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/butter.webp?v=1783442924"},{"product_id":"guy-buddy-junior-wells-play-the-blues-4260019716026","title":"GUY,BUDDY \/ JUNIOR WELLS - PLAY THE BLUES Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  The blues is perhaps one of the most private things from which a human being can suffer. However, to play the blues,\n  and thus to express a man's innermost feelings and state of mind, is probably the most important task of black music.\n  With \n  \u003cstrong\u003eBuddy Guy\u003c\/strong\u003e\n   and \n  \u003cstrong\u003eJunior Wells\u003c\/strong\u003e\n  , we have two disciples from the world of the blues who express their highly personal blues with profound instrumental\n  proficiency. The enormously talented, self-taught guitarist Buddy Guy was ranked 23rd in Rolling Stones magazine's\n  list \"100 Greatest Guitarists of All Time\", and several times he was awarded one of the coveted Grammy awards. Junior\n  Wells entered Muddy Waters' 'academy' at the tender age of 18 and played the blues harp with enormous passion and\n  virtuosity.\n\u003c\/p\u003e\n\u003cp\u003e\n  In this recording, the musicians condense their rock playing over a bone-dry bass line to create a mantra-like funky\n  style (\"A Man Of Many Words\"), passing on with fleet-footed steps to a slender chirping sound on the mandolin with a\n  12-bar blues construction and creating an earthy groove (\"T-Bone Shuffle\"). Then the duo works perseveringly on an\n  unrelenting chord (\"A Poor Man's Plea\"), only to return to two numbers that pulsate forcefully with a snappy and\n  jagged offbeat (\"This Old Fool\").\n\u003c\/p\u003e\n\u003cp\u003e\n  The handpicked band, among them being co-producer \n  \u003cstrong\u003eEric Clapton\u003c\/strong\u003e\n   who is eternalized on the rhythm and bottleneck guitar, and the voodoo rocker \n  \u003cstrong\u003eDr. John\u003c\/strong\u003e\n   who occasionally contributes his magic on the keyboard, make this album a truly collectible sound experience.\n\u003c\/p\u003e\n\u003cp\u003e\n  This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the\n  cutting head.\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003eSide One:\u003c\/h4\u003e\n\u003col\u003e\n  \u003cli\u003eA Man Of Many Words\u003c\/li\u003e\n  \u003cli\u003eMy Baby Left Me (She Left Me A Mule To Ride)\u003c\/li\u003e\n  \u003cli\u003eCome On In This House \/ Have Mercy Baby\u003c\/li\u003e\n  \u003cli\u003eT - Bone Shuffle\u003c\/li\u003e\n  \u003cli\u003eA Poor Man's Plea\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eSide Two:\u003c\/h4\u003e\n\u003col\u003e\n  \u003cli\u003eMessin' With The Kid\u003c\/li\u003e\n  \u003cli\u003eThis Old Fool\u003c\/li\u003e\n  \u003cli\u003eI Don't Know\u003c\/li\u003e\n  \u003cli\u003eBad Bad Whiskey\u003c\/li\u003e\n  \u003cli\u003eHoneydripper\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel:\u003c\/strong\u003e\n  Speakers Corner\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739962653,"sku":"SSCQ33364.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/buddy.webp?v=1783442707"},{"product_id":"lateef-yusef-blue-yusef-lateef-4260019715890","title":"LATEEF,YUSEF - BLUE YUSEF LATEEF Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  Yusuf Lateef was a leading representative of world music, long before world music was known as such in the jazz, pop\n  and rock community. He integrated all kinds of oriental instruments in his jazz music, such as the koto, bamboo flute\n  and tambura and also - as in this case - in his blues compositions. His saxophone playing is also flawless too and\n  full of wonderful textures, hard and impulsive at one moment, cool and exotic at the next.\n\u003c\/p\u003e\n\u003cp\u003e\n  On this album Lateef explores, in a painterly way, the border areas of the blues, in all their various guises and\n  addresses both eastern and western cultures. \"Juba Juba\" begins with a drumbeat on a slave ship, the tempo builds up\n  slowly and agonizingly, and is only penetrated by Lateef's plaintive flute and background voices singing »freedom,\n  freedom, freedom«. After such a gloomy beginning the classical blues number \"Like It Is\" comes over like a breath of\n  fresh air, with its superb string quartet as the foundation.\n\u003c\/p\u003e\n\u003cp\u003e\n  The R\u0026amp;B contributions on the other tracks testify to Lateef's skilled excursions into the realm of the blues,\n  while the truly adventurous tracks such as \"Back Home\" and the mystic, Chinese odyssey \"Moon Cup\" weave a magical net\n  of sheer pleasure. \"The Blue Yusef Lateef\" is in every possible way absolutely breathtaking. It is a milestone as a\n  jazz album. As a blues album it is quite unique. But as a musical work of art it is a glorious and genial masterpiece.\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003eSide One:\u003c\/h4\u003e\n\u003col\u003e\n  \u003cli\u003eJuba Juba\u003c\/li\u003e\n  \u003cli\u003eLike It Is\u003c\/li\u003e\n  \u003cli\u003eOthelia\u003c\/li\u003e\n  \u003cli\u003eMoon Cup\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eSide Two:\u003c\/h4\u003e\n\u003col\u003e\n  \u003cli\u003eBack Home\u003c\/li\u003e\n  \u003cli\u003eGet Over, Get Off And Get On\u003c\/li\u003e\n  \u003cli\u003eSix Miles Next Door\u003c\/li\u003e\n  \u003cli\u003eSun Dog\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel:\u003c\/strong\u003e\n  Speakers Corner\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739929885,"sku":"SSCQ1508.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/yusuf.jpg?v=1783442464"},{"product_id":"roach-max-max-roach-trio-featuring-the-legendary-hasaan-4260019715784","title":"ROACH,MAX - MAX ROACH TRIO FEATURING THE LEGENDARY HASAAN Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHardly any other musician has released so little as Hasaan Ibn Ali, born William Henry Langford Jr., in 1931, who died in 1980. Just seven titles in all are his complete output, all of which he composed himself, all of them on the present Atlantic LP, and all recorded in December 1964. The saxophonist Odean Pope, who often practiced with him, talks of a second recording session in 1965 for Atlantic, but the recordings were never released because Hasaan was sent to jail shortly afterwards; rumour has it that the tapes were destroyed in a fire – and it might well be that recordings with John Coltrane still exist somewhere or other.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUntil then, one should enjoy the Max Roach Trio with Art Davis on the bass to the full. We have here a recording that will astound and fascinate your ears with its originality. A first impression conjures up reminiscences of Cecil Taylor and Herbie Nichols, while Hasaan himself talks of the pianist Elmo Hope as the man who brought him closer to the 'mystery of music'. When asked how the recording session with maestro Max Roach went, Hasaan said: \"They scared me to death.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAccording to Odean Pope, Hasaan was not an easy person to get on with, and he was convinced of his talent to the point of arrogance. But despite this – or perhaps because of this – one listens spellbound to the 40 minutes on this LP, a legacy and never-fulfilled promise of an extremely talented man. We are indebted to Max Roach, who persuaded the bosses of Atlantic Records to make these recordings. For many, many years they had vanished from the record market, but fortunately they are now available as an audiophile re-release to be listened to and admired.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\"...Hasaan might be described as the missing link between Bud Powell and Cecil Taylor, not as \"inside\" as Bud nor as \"outside\" as Taylor, but sharing with each a blazing attack that practically pins the listener against the wall. Hasaan was truly a legend in his native Philadelphia, but he was by all accounts as eccentric in daily life as he was unique musically, and it took the efforts of Max Roach to get him into a studio in 1964. The seven originals that comprise the program demonstrate why Roach rated Hasaan among the greatest pianist \/ composers of his generation, and range from the darkly reflective dedication \"Hope So Elmo\" (for pianist Elmo Hope) to the irresistible forward momentum of pieces like \"Almost Like Me.\" Never was a jazz record more deserving of the deluxe Speakers Corner treatment than this classic, and it sounds better than ever.\"\u003c\/b\u003e\u003cspan\u003e - Duck Baker, \u003c\/span\u003e\u003ci\u003eThe Absolute Sound\u003c\/i\u003e\u003cspan\u003e, October 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cb\u003eSide One:\u003c\/b\u003e\u003cbr\u003e1. Three-Four vs. Six-Eight Four-Four Ways\u003cbr\u003e2. Off My Back Jack\u003cbr\u003e3. Hope So Elmo\u003cbr\u003e4. Almost Like Me\u003cbr\u003e\u003cb\u003eSide Two:\u003c\/b\u003e\u003cbr\u003e1. Din-Ka Street\u003cbr\u003e2. Pay Not Play Not\u003cbr\u003e3. To Inscribe\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003c\/span\u003e\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739897117,"sku":"SSCQ1435.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/39euros1435-large__19904.jpg?v=1783442209"},{"product_id":"coleman-ornette-free-jazz-4260019716088","title":"COLEMAN,ORNETTE - FREE JAZZ Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe term 'free jazz' was already in existence - but it had a quite different meaning, namely jazz without paying for an entrance ticket. The album\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFree Jazz,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehowever, was intended to lend its name to a quite different style of jazz. 'Free' playing - now this meant that no one was bound to conventions, you could let your imagination run loose. Free jazz gave one the chance to find new rules for every new composition. And it was to be the greatest boost to innovation in the world of jazz.\u003c\/p\u003e\n\u003cp\u003eOrnette Coleman's album recorded in December 1960 stands at the beginning of the free jazz era like a massive portal. Coleman thought big: he brought two quartets into the studio at the same time, both with two wind instruments and no piano, and let them play together for 36 minutes without a break - a collective improvisation. There aren't any precise themes, although short, fanfare-like motifs do exist in which the winds come together.\u003c\/p\u003e\n\u003cp\u003eA continuous dense rhythmic beat underlies the music almost throughout - and the pulse is felt rather than heard. One musician after the other comes into the foreground to improvise, almost like at a jam session. First Coleman, then Dolphy, then the two trumpeters. The other winds, however, never remain silent, then make comments and support one another continually - the energy level is immense the whole time (it was cold in the studio ...). Only when it is the turn of the bass and drum players do the winds remain silent for about eleven minutes.\u003c\/p\u003e\n\u003cp\u003eThis album is not only a historic caesura, but a truly great experience over and over again.\u003c\/p\u003e\n\u003cp\u003eThis Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks: \u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003eSide A:\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003eFree Jazz\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eSide B:\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003eFirst Take\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eLabel: \u003c\/strong\u003eSpeakers Corner\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989739995421,"sku":"SSCQ1364.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/ornette.webp?v=1783442039"},{"product_id":"presley-elvis-elvis-is-back-4260019712578","title":"PRESLEY,ELVIS - ELVIS IS BACK Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  \u003cmeta charset=\"utf-8\"\u003e\n  Elvis Is Back, the first ever stereo album recording from the King, was cut and released within weeks of his discharge\n  from the army, in 1960. Filled with classic R \u0026amp; B and rock standards, Elvis Is Back rode the Billboard album\n  charts for more than a year - peaking at #2.\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  1. Make Me Know It\n  \u003cbr\u003e\n  2. Fever\n  \u003cbr\u003e\n  3. The Girl of My Best Friend\n  \u003cbr\u003e\n  4. I Will Be Home Again\n  \u003cbr\u003e\n  5. Dirty, Dirty Feeling\n  \u003cbr\u003e\n  6. Thrill of Your Love\n  \u003cbr\u003e\n  7. Soldier Boy\n  \u003cbr\u003e\n  8. Such a Night\n  \u003cbr\u003e\n  9. It Feels So Right\n  \u003cbr\u003e\n  10. The Girl Next Door\n  \u003cbr\u003e\n  11. Like a Baby\n  \u003cbr\u003e\n  12. Reconsider, Baby\n\u003c\/p\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel: \u003c\/strong\u003e\n  Speakers Corner\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989740093725,"sku":"SSCQ2231.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/elvis2.webp?v=1783441765"},{"product_id":"gilberto-joao-amoroso-4260019716170","title":"GILBERTO,JOAO - AMOROSO Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen this album landed on turntables in 1977, João Gilberto, the Nestor and father of bossa nova, had long enjoyed praise for his life's work which was still far from complete. His straightforward, sometimes dry and rasping voice sounds out distinctively in the mezzo piano and forges his totally unique and personal style of playing Latin jazz with international appeal. With \"Wave,\" \"Triste,\" \"Caminhos Cruzados\" and \"Zingaro\" he brings together on this LP four splendid numbers by his congenial fellow countryman Antônio Carlos Jobim.\u003c\/p\u003e\n\u003cp\u003eJust how universally applicable Gilberto's bossa mixtures are is shown by Gershwin's hit \"'S Wonderful,\" which he performs in a completely new way. In lieu of the thrilling original, a completely new version of this musical classic is created that is agreeably free of dynamic effects and filled with wide-awake declamation. The question as to whether the well-tried mix of guitar and a refined rhythm group could have done without the lush strings is answered by listening closely: Claus Ogerman's arrangements are less a highly colorful enhancement than a carefully woven interplay of internal and opposing voices. On this album you have an exclusive team of instrumentalists who carry the melancholic mood of this music right to their fingertips.\u003c\/p\u003e\n\u003cp\u003eThis Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\u003c\/p\u003e\n\u003cp\u003eRecording: November 1976 at Rosebud Studios, New York, by Al Schmitt\u003cbr\u003eProduction: Tommy LiPuma and Helen Keane\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks: \u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003eSide One:\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003e'S Wonderful\u003c\/li\u003e\n\u003cli\u003eEstate\u003c\/li\u003e\n\u003cli\u003eTin Tin Por Tin Tin\u003c\/li\u003e\n\u003cli\u003eBesame Mucho\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eSide Two:\u003c\/h4\u003e\n\u003col\u003e\n\u003cli\u003eWave\u003c\/li\u003e\n\u003cli\u003eCaminha Cruzados\u003c\/li\u003e\n\u003cli\u003eTriste\u003c\/li\u003e\n\u003cli\u003eZingaro\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eLabel: Speakers Corner\u003c\/strong\u003e\u003c\/p\u003e\n\u003csection id=\"features\"\u003e\u003c\/section\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989740028189,"sku":"SSCQ3053.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/joao.jpg?v=1783441556"},{"product_id":"winter-johnny-johnny-winter-4260019714138","title":"WINTER,JOHNNY - JOHNNY WINTER Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhen an international weekly magazine calls a musician the \"white pope of black art\", then it sounds suspiciously like charitableness towards a blues musician in his prime, whose good years are in the past. As if! In the case of Johnny Winter, the reviews of his 2011 tour were just as glowing as in his early years, when Rolling Stone magazine described the gaunt Mississippi bard as \"a cross-eyed albino with long fleecy hair playing some of the gutsiest fluid blues guitar you have ever heard\". \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIntentional or not: Winter was able to win for himself some of the \"rocker\" laurels that were reserved for the young Eric Clapton and Jimi Hendrix. But Winter let everyone know that he was only interested in the blues, gutsy, evoking Howlin’ Wolf’s and Muddy Waters' growling groove, yet nimble-fingered enough on the strings to conjure up astoundingly sleek garlands of sound that fit precisely into each bar of music.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWinter remains pretty cool when people attempt to identify personal afflictions in his music: \u003c\/span\u003e\u003cb\u003e\"When I play blues, I feel good,\"\u003c\/b\u003e\u003cspan\u003e he stated recently to a journalist. That the same goes for over 40 years ago is substantiated by both sides of this debut album.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWinter's debut album for Columbia was also arguably his bluesiest and best. Straight out of Texas with a hot trio, Winter made blues-rock music for the angels, tearing up a cheap Fender guitar with total abandon on tracks like \"I'm Yours and I'm Hers,\" \"Leland Mississippi Blues,\" and perhaps the slow blues moment to die for on this set, B.B. King's \"Be Careful with a Fool.\" Winter's playing and vocals have yet to become mannered or clichéd on this session, and if you've ever wondered what the fuss is all about, here's the best place to check out his true legacy. - All Music\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 1:\u003c\/strong\u003e\u003cbr\u003e1. I'm Yours And I'm Hers\u003cbr\u003e2. Be Careful With A Fool\u003cbr\u003e3. Dallas\u003cbr\u003e4. Mean Mistreater\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide 2:\u003c\/strong\u003e\u003cbr\u003e1. Leland Mississippi Blues\u003cbr\u003e2. Good Morning Little School Girl\u003cbr\u003e3. When You Got A Good Friend\u003cbr\u003e4. I'll Drown In My Tears\u003cbr\u003e5. Back Door Friend\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel: \u003c\/strong\u003eSpeakers Corner\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989740060957,"sku":"SSCQ9826.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/image-url_thumbnail_266fc409-87b9-4133-bd0e-ef78ea51e3a4.webp?v=1783440154"},{"product_id":"dr-john-gris-gris-4260019715692","title":"DR. JOHN - GRIS-GRIS Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHis grandmother is purported to have transported objects using her spiritual powers and it is said that she sometimes floated through the room. Her grandson Malcolm Rebenneck was fully aware of his unique features when he appeared under the name of Dr. John, a voodoo healer in the 19th century, and was the first person to transcend from pitch-black spheres to psychedelic music as its high priest, so to speak.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn the seven magical musical numbers of \"Gris-gris\", the root doctor conjures up a potent mixture of Creole melodies, primeval heathen sounds, a pinch of mardi-gras and New Orleans jazz and even undreamt-of sounds. \"Gumbo Ya Ya\", a dragging procession with archaic sing-song, shows that suggestive Afro sounds are what rule in this album. And to play with them, to soften them here and there, or to enhance them with dance-like expression and voices from afar (\"Danse Fambeaux\") is all part of the program in this collection of artistic treasures. In between raspy sounds there are flattering, intimate tones such as the springy, gentle and forward-looking \"Croker Courtbullion\".\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe equation Witchcraft = Masterwork certainly applies to this unrivalled album, which was listed at No. 356 in 2020 in the 500 Greatest Albums of all Time by the magazine Rolling Stone.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide One:\u003c\/strong\u003e\u003cbr\u003e1. Gris-Gris Gumbo Ya Ya\u003cbr\u003e2. Danse Kalinda Ba Doom\u003cbr\u003e3. Mama Roux\u003cbr\u003e4. Danse Fambeaux\u003cbr\u003e\u003cstrong\u003eSide Two:\u003c\/strong\u003e\u003cbr\u003e1. Croker Courtbullion\u003cbr\u003e2. Jump Sturdy\u003cbr\u003e3. I Walk On Guilded Splinters\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Speakers Corner\u003c\/span\u003e\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989740159261,"sku":"SSCQ33234.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/drjohn.webp?v=1783439391"},{"product_id":"cobham-billy-total-eclipse-4260019716071","title":"COBHAM,BILLY - TOTAL ECLIPSE Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  Ever since his time with John McLaughlin's Mahavishnu Orchestra (1971-1973), drummer Billy Cobham is one of electric\n  fusion jazz's greatest heroes. \n  \u003cem\u003eTotal Eclipse\u003c\/em\u003e\n   was the third album he made as a leader within just a few months, and here again he composed all the numbers\n  himself. In the opening 'suite' entitled \"Solarization\" (eleven minutes long) he already shows his broad and certainly\n  refined stylistic spectrum. Cobham's music leaps from high-energy jazz-rock with wild guitar and thundering volleys on\n  the drums to highly original improvisations on the piano and winds. Smooth electric Latin grooves and gripping funky\n  numbers are not missing either. Cobham's handpicked band is bursting with virtuosos.\n\u003c\/p\u003e\n\u003cp\u003e\n  A look at the names of the three-man wind section proves the point: \n  \u003cstrong\u003eMichael Brecker, Randy Brecker\u003c\/strong\u003e\n  , and \n  \u003cstrong\u003eGlenn Ferris\u003c\/strong\u003e\n   are highlights in themselves. And the then 30-year-old band leader himself was the non plus ultra when it came\n  to jazz-rock drumming technique - his amazingly rapid drum volleys are just as sensational today as they were then.\n  With this album this exceptional drummer will thrill all fans of first-class fusion sound similar to Weather Report or\n  Return To Forever.\n\u003c\/p\u003e\n\u003cp\u003e\n  This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the\n  cutting head.\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks: \u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003eSide One:\u003c\/h4\u003e\n\u003col\u003e\n  \u003cli\u003eSolarization: a) Solarization b) Second Phase c) Crescent Sun d) Voyage e) Solarization-Recapitulation\u003c\/li\u003e\n  \u003cli\u003eLunarputians\u003c\/li\u003e\n  \u003cli\u003eTotal Eclipse\u003c\/li\u003e\n  \u003cli\u003eBandits\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eSide Two:\u003c\/h4\u003e\n\u003col\u003e\n  \u003cli\u003eMoon Germs\u003c\/li\u003e\n  \u003cli\u003eThe Moon Ain't Made Of Green Cheese\u003c\/li\u003e\n  \u003cli\u003eSea Of Tranquility\u003c\/li\u003e\n  \u003cli\u003eLast Frontier\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel:\u003c\/strong\u003e\n  Speakers Corner\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989740192029,"sku":"SSCQ18121.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/illy.jpg?v=1783439115"},{"product_id":"zevon-warren-stand-in-the-fire-4260019715944","title":"ZEVON,WARREN - STAND IN THE FIRE Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  This live album was recorded in August 1980 during a five-day residency at The Roxy Theatre in West Hollywood,\n  California. The performance featured two new original songs, \"Stand In the Fire\" and \"The Sin\" alongside one new cover\n  of \"Bo Diddley's A Gunslinger\", and of course the hit song \"Werewolves Of London\".\n\u003c\/p\u003e\n\u003cp\u003e\n  This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the\n  cutting head.\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks:\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003eSide One:\u003c\/h4\u003e\n\u003col\u003e\n  \u003cli\u003eStand In The Fire\u003c\/li\u003e\n  \u003cli\u003eJeannie Needs A Shooter\u003c\/li\u003e\n  \u003cli\u003eExcitable Boy\u003c\/li\u003e\n  \u003cli\u003eMohammed's Radio\u003c\/li\u003e\n  \u003cli\u003eWerewolves Of London\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eSide Two:\u003c\/h4\u003e\n\u003col start=\"6\"\u003e\n  \u003cli\u003eLawyers, Guns And Money\u003c\/li\u003e\n  \u003cli\u003eThe Sin\u003c\/li\u003e\n  \u003cli\u003ePoor Poor Pitiful Me\u003c\/li\u003e\n  \u003cli\u003eI'll Sleep When I'm Dead\u003c\/li\u003e\n  \u003cli\u003eBo Diddley's A Gunslinger\/Bo Diddley\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel:\u003c\/strong\u003e\n  Speakers Corner\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989740323101,"sku":"SSCQ519.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/warren_3e010815-5bfd-4cc9-ba28-ec780b717038.jpg?v=1783438818"},{"product_id":"fleetwood-mac-pious-bird-of-good-omen-4260019713001","title":"FLEETWOOD MAC - PIOUS BIRD OF GOOD OMEN Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  Fleetwood Mac's first compilation is a hodgepodge of tracks from their first two albums, singles and sessions where\n  Peter, John and Mick backed up Chicago piano legend Eddie Boyd. Standout tracks include \"The Sun Is Shining,\" \"Jigsaw\n  Puzzle Blues,\" \"Albatross\" and \"Black Magic Woman.\"\n  \u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  1. Need Your Love So Bad\n  \u003cbr\u003e\n  2. Coming Home\n  \u003cbr\u003e\n  3. Rambling Pony\n  \u003cbr\u003e\n  4. The Big Boat\n  \u003cbr\u003e\n  5. I Believe My Time Ain't Long\n  \u003cbr\u003e\n  6. The Sun Is Shining\n  \u003cbr\u003e\n  7. Albatross\n  \u003cbr\u003e\n  8. Black Magic Woman\n  \u003cbr\u003e\n  9. Just The Blues\n  \u003cbr\u003e\n  10. Jigsaw Puzzle Blues\n  \u003cbr\u003e\n  11. Looking For Somebody\n  \u003cbr\u003e\n  12. Stop Messin' Round\n\u003c\/p\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel:\u003c\/strong\u003e\n  Speakers Corner\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989740290333,"sku":"SSCQ763215.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/fleet.webp?v=1783438377"},{"product_id":"monk-thelonious-big-band-quartet-in-concert-4260019715067","title":"MONK,THELONIOUS - BIG BAND \u0026 QUARTET IN CONCERT Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  Thelonious Monk could walk from his flat to New York's famous Philharmonic Hall on the corner of 64th Street and\n  Broadway when he made his very first appearance there with his Big Band in December 1963. And the other musicians\n  could get there on the underground: Phil Woods, Steve Lacy, Thad Jones - all of them were members of Monk's closest\n  circle of collaborators.\n\u003c\/p\u003e\n\u003cp\u003e\n  It is no wonder then that the well-known themes were highly agreeable and harmonious. \"I Mean You,\" \"Four in One\" and\n  \"Epistrophy\" resounded through the auditorium, the audience was thrilled, Thelonious laughed and danced and a short\n  while later fans could listen to parts of the concert on a recording released by Columbia Records. In a break for a\n  smoke, Monk sat himself down at the piano and played \"Darkness on the Delta\" - nocturnal atmosphere pure.\n\u003c\/p\u003e\n\u003cp\u003eDoes it bear the patina of times long past? Absolutely not! Thelonious Monk is as red-hot as he ever was.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks: \u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003eSide A:\u003c\/h4\u003e\n\u003col\u003e\n  \u003cli\u003eI Mean You\u003c\/li\u003e\n  \u003cli\u003eEvidence\u003c\/li\u003e\n  \u003cli\u003e(When It's) Darkness on the Delta (Monk Solo)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eSide B:\u003c\/h4\u003e\n\u003col\u003e\n  \u003cli\u003eOska T.\u003c\/li\u003e\n  \u003cli\u003ePlayed Twice\u003c\/li\u003e\n  \u003cli\u003eFour in One\u003c\/li\u003e\n  \u003cli\u003eEpistrophy\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel:\u003c\/strong\u003e\n  Speakers Corner\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989740257565,"sku":"SSCQ8964.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/thelonius.webp?v=1783438188"},{"product_id":"outlaw-country-live-from-austin-tx-607396598618","title":"OUTLAW COUNTRY - LIVE FROM AUSTIN, TX Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/18\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  There was something beyond special about this particular night in September 1996. Five of American music's most\n  enduring voices — Willie Nelson, Waylon Jennings, Kris Kristofferson, Billy Joe Shaver, and Kimmie Rhodes — gathered\n  on the \n  \u003cem\u003eAustin City Limits\u003c\/em\u003e\n   stage for an intimate songwriter's pull that felt less like a television taping and more like a living room\n  session between old friends.\n\u003c\/p\u003e\n\u003cp\u003e\n  The guitar pull is one of country music's most cherished traditions — informal, round-robin performances where\n  songwriters take turns sharing material for their mutual enjoyment. Rarely, if ever, has the format been executed at\n  this level. The brotherly bond between Jennings, Nelson, and Kristofferson — three-fourths of the legendary Highwaymen\n  — is palpable throughout, while Shaver and Rhodes hold their own among giants with ease.\n\u003c\/p\u003e\n\u003cp\u003e\n  The setlist reads like a masterclass in American songwriting. Highlights include Nelson and Kristofferson trading\n  verses on \"We Don't Run,\" Shaver's stark, unaccompanied \"First and Last Time,\" Jennings' tender \"Just Watch Your Mama\n  and Me,\" and the closing communal singalong on \"On the Road Again.\"\n\u003c\/p\u003e\n\u003cp\u003e\n  Each artist played a few of their favorites, swapping stories and laughs, amid a sense that what was being witnessed\n  might never happen again. It never did.\n\u003c\/p\u003e\n\u003cp\u003e\n  Now, for the first time, this historic performance comes to vinyl — the format these songs were born to inhabit. \n  \u003cem\u003eOutlaw Country: Live from Austin, TX\u003c\/em\u003e\n   is an essential document of a movement, a friendship, and a night that belonged to the ages.\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks: \u003c\/strong\u003e\u003c\/p\u003e\n\n\u003ch4\u003eSide A:\u003c\/h4\u003e\n\u003col\u003e\n  \u003cli\u003eFighter\u003c\/li\u003e\n  \u003cli\u003eI'd Have Been Out of Jail\u003c\/li\u003e\n  \u003cli\u003eJust One Love\u003c\/li\u003e\n  \u003cli\u003eFirst and Last Time\u003c\/li\u003e\n  \u003cli\u003eWe Don't Run\u003c\/li\u003e\n  \u003cli\u003ePromise\u003c\/li\u003e\n  \u003cli\u003eI Do Believe\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch4\u003eSide B:\u003c\/h4\u003e\n\u003col\u003e\n  \u003cli\u003eEspiritu Santo Bay\u003c\/li\u003e\n  \u003cli\u003eYou Just Can't Beat Jesus Christ\u003c\/li\u003e\n  \u003cli\u003eToo Sick to Pray\u003c\/li\u003e\n  \u003cli\u003ePilgrim's Progress\u003c\/li\u003e\n  \u003cli\u003eJust Watch Your Mama and Me\u003c\/li\u003e\n  \u003cli\u003eLines\u003c\/li\u003e\n  \u003cli\u003eOn the Road Again\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel:\u003c\/strong\u003e\n  New West\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989740224797,"sku":"NEWW5986.1","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/outlaw.jpg?v=1783437581"},{"product_id":"franklin-aretha-live-at-fillmore-west-4260019714466","title":"FRANKLIN,ARETHA - LIVE AT FILLMORE WEST Vinyl LP","description":"\u003cp\u003e\u003cstrong\u003eExpected: 9\/4\/26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  \u003cmeta charset=\"utf-8\"\u003e\n  Live recordings come up with extremely different results: most of them land in the rubbish bin, some of them are\n  available as bootleg copies when a star's career has ended and are passed on conspiratorially from one excited\n  collector to another. Only a very few conserve real spirit and sheer enthusiasm, which no arranger or sound mixer can\n  conjure up in the studio. But even more sensational was Aretha Franklin's guest appearance at the Fillmore West, the\n  legendary concert hall in San Francisco, which closed down shortly afterwards.\n\u003c\/p\u003e\n\u003cp\u003e\n  Everyone knew who was going to perform, and yet everything was quite different on these three nights in the spring of\n  1971: her usual show band was left behind in Detroit and she appeared with King Curtis and The Kingpins - one of the\n  most impressive bands around - accompanied by the trailblazers Cornel Dupree, and Bernard Purdie. The Memphis Horns, a\n  fantastic horn section, blast away in the background, their keen as a razor backing rising up to soaring heights.\n\u003c\/p\u003e\n\u003cp\u003e\n  From Billy Preston's fingertips on the organ flows an aura of spiritual energy and Ray Charles, who by chance (but how\n  fortuitous) was among the audience also got his appearance in the telling title \"Spirit In the Dark\". No words need be\n  lost about the queen on the cover. For without the superb albums of the late Sixties, Aretha Franklin would never have\n  become the USA's first sister of soul nor would she have appeared in the Fillmore West.\n\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracks: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\n  \u003cstrong\u003eSide One:\u003c\/strong\u003e\n  \u003cbr\u003e\n  1. Respect\n  \u003cbr\u003e\n  2. Love The One You're With\n  \u003cbr\u003e\n  3. Bridge Over Troubled Water\n  \u003cbr\u003e\n  4. Eleanor Rigby\n  \u003cbr\u003e\n  5. Make It With You\n  \u003cbr\u003e\n  6. Don't Play That Song\n  \u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003e\n  \u003cstrong\u003eSide Two:\u003c\/strong\u003e\n  \u003cbr\u003e\n  1. Dr. Feelgood\n  \u003cbr\u003e\n  2. Spirit In The Dark\n  \u003cbr\u003e\n  3. Spirit In The Dark (Reprise with Ray Charles)\n  \u003cbr\u003e\n  4. Reach Out and Touch (Somebody's Hand)\n\u003c\/p\u003e\n\u003cp\u003e\n  \u003cstrong\u003eLabel: \u003c\/strong\u003e\n  Speakers Corner\n\u003c\/p\u003e","brand":"Experience Vinyl Preorder","offers":[{"title":"Default Title","offer_id":51989740388637,"sku":"SSCQ7205.1","price":59.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2236\/3463\/files\/aretha.webp?v=1783436968"}],"url":"https:\/\/experiencevinyl.com\/collections\/speaker-corner-records.oembed","provider":"Experience Vinyl","version":"1.0","type":"link"}